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A praising (praising) artist who entertains the public by making imitations and telling
pleasant stories is called a meddah. Being one of the great arts of the Turkish public

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intelligence and the power of the people to caricature events, meddah has lived for
centuries and attracted a lot of attention among the Turkish people. We can call it a one-
man theater for meddah.

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Meddah is an actor who unites all the people of the theater in his
being. Sitting on a high place, he tells a story from beginning to end, by making the people
he portrays speak according to their oral characteristics. Everything in this theater, which


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has no curtain, stage, dresses, decor, and persons, depends on the intelligence, knowledge
and success of speaking the word of that single man called meddah. Most of the meddahs

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begin their stories with classical couplets. Before Meddah moves on to the story she will tell:
“Haak my friend Haak!” he often enters the story with the following couplet: “As he says, he

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gives adventure, mesmerizing sweetness, I listen” He gives joy to the assembly as he tells
about his experiences. Now listen to a story from your helpless servant.”meddahMeddah
imitates the mouth features of people as well as

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the sounds of animals, nature and
inanimate objects. Meddah has two tools; one is the handkerchief he wraps around his neck,
and the other is the stick he holds in his hand. He makes various headdresses with a


handkerchief and wipes his sweat. He also uses the stick to start the play, to call the
audience to silence, to knock on the door, or instead of reeds, brooms, rifles, horses. At the
end, he apologizes and announces the result (parable) of the play. He then tells the name of
the story he will tell and where he will tell the story. Today, there are not many sources
other than a few scattered manuscripts and lithographs about meddah. “Mecmûa-ı Fevâid” How Much House Can I Afford
in Istanbul University Library is an important source written on meddahs. Orta play is an
impromptu play that is played in an area surrounded by the audience, is not based on the
written text, and includes music, dance and song. The first document in which the middle
game is mentioned is dated 1834. In older sources, this game; It was called arm game,

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challenge game, imitation game, zuhurî. Although it is played in closed places such as inns or
coffee houses, it is generally a game played in open places. The round or oval area where the
game is played is called a pulley. The decoration of the game; It consists of a clothless screen
called the new world and a two-story cage called a shop. The new world is used as a home

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and the shop as a workplace. The shop has a bench and a few wicker chairs. The two most
important characters of the play are Kavuklu and Pişekar. Kavuklu is the counterpart of
Karagöz in the play Karagöz, and Pişekar is the counterpart of Hacivat. The humor element in
the middle play is based on misunderstandings, jokes and ridiculous movements, as in the
Karagöz play. In the game, the occupational and local characteristics and dialects of people

from various professions, regions and nations are imitated. Among them, Arab, Persian,
Kastamonu, Kayseri, Kurdish, Frank, Laz, Jewish, Armenian and so on. countable. A man
disguised as a woman who plays the female role in the middle play is called Zenne.
Mukaddime (Introduction): Zurnacı plays Pişekar air. Pişekar comes out and speaks to the
zurna player after greeting the audience. In this conversation, the name of the game to be
played is announced. Later, the zurnacı plays the Kavuklu tune. Kavuklu and Kavuklu’s back
enter the field of play. A short conversation takes place between Kavuklu and Kavuklu’s
back. Then these people suddenly see Pişekar and get scared and fall on each other out of
fear. In some plays,